Choirs. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. It also analyzes reviews to verify trustworthiness. The Requiem (Duruflé) article is correct: all three versions contain an organ part, which is very difficult indeed in each case. Fauré & Duruflé: Requiems. Bartoli's solo is beautiful in a show-offy self conscious sort of way. 9, is a setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. Unable to add item to List. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé.Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Atma: ACD22779. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Preview. 35:23 - IX. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. Reviewed in the United States on January 12, 2020. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant.The Requiem was first published in 1948 by Durand in an organ version. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Here is a "clickable" Table of the available Midi Files for this Work (this version has an "orchestral" backing; if you want an "organ" version, it's here).Note that, for the most part, where a Voice is, in the Work, split into two, the relevant Files have been correspondingly divided. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. TITLE TIME; Requiem, Op. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. Though soloists appear in only six out of 16 movements in all, having star singers certainly adds to the attractions, when both Cecilia Bartoli and Bryn Terfel sing with fervour, bringing out the word-meaning dramatically to defy any idea that these are just sweetly reflective pieces. Please try again. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. However, the balance between them could have been better. --Thomas May. The artists are wonderful singers, but, the pace of the performance seems too slow and slightly pedestrian. Buy CD or download online. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. Faure's sense of "celebration" of life is eclipsed by solemnity that I find tedious. 48 / Requiem, Op. It also analyzes reviews to verify trustworthiness. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. 1,000,000th Hit: January 4, 2008. It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. Requiem, Op. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. —Cor anglais 16 22:11, 5 February 2007 (UTC) But 1950 for the version with orchestra is nonsense, isn't it? This page works best with JavaScript. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Please try again. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. DG's recording is one of the best digital CDs I've heard from them. This is Faure with star power, and the result is painful, to my ears anyway. But one could learn to live with her interpretation, I suppose. But one could learn to live with her interpretation, I suppose. I have 17 versions and this I rate at No, 5. Listen on Apple Music. By Jean-Jacques ... Requiem: In Paradisum. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. Anytime, anywhere, across your devices. Anchoring the album is the monumental Requiem by Maurice Duruflé, in the rarely-recorded voices with organ version.The Requiem is paired with a cappella motets and spirituals to present a variety of expressions about the power of heaven.. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. Listen to Faure: Requiem & Durufle: Requiem by Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James Morris, Judith Blegen & Robert Shaw on Apple Music. Complete your Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris collection. Reviewed in the United States on January 3, 2008. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Reviewed in the United Kingdom on May 28, 2016. In short, two performances to treasure. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Saint Brigid School Honor Choir Cathedral Choir Cathedral Schola Cantorum Coro Hispano. 9: III. There's a problem loading this menu right now. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Once described as a "lullaby of death," Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. < Slight alternate cover. There was an error retrieving your Wish Lists. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. Sadly, this recording is no exception. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. Reviewed in the United States on June 15, 2000. Reviewed in the United States on January 3, 2008. Discover releases, reviews, track listings, recommendations, and more about Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris - Requiem, Op. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Roman Catholic burial service.It is sung by the choir as the body is being taken out of the church. Maurice Duruflé completed his Requiem in 1947, although he had accepted a commission for this work in 1941 by the collaborationist Vichy Regime in France. French composer Maurice Duruflé's Requiem (Opus 9) for chorus and organ will be featured at the Northwest Choral Society's ("NWCS") concert, "In … This is Faure with star power, and the result is painful, to my ears anyway. Chung adopts a hushed and reverential tone throughout the piece. 48 / Requiem, Op. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. She has a great voice certainly, but this music would be better suited to a more restrained performance. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. Bartoli's solo is beautiful in a show-offy self conscious sort of way. By Jean-Jacques Gruenwald Jeremy Backhouse & Vasari Singers. You can still see all customer reviews for the product. Reviewed in the United States on June 15, 2000. In paradisum (Live), an album by Maurice Duruflé, University of Northern Iowa Concert Chorale, University of Northern Iowa Varsity Men's Glee Club, John Wiles on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis. ) Your recently viewed items and featured recommendations, Select the department you want to search in. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. This recording is too seldom any of those things for very long. Cecilia Bartoli's rendition of the Pie Jesu will stop you in your tracks (simply one of the most achingly beautiful examples of her artistry), while Bryn Terfel uses the rich resonance of his baritone to powerful effect. Valerie the music teacher, Reviewed in the United Kingdom on May 14, 2015, Arrived in time - music as you would expect, Reviewed in the United Kingdom on February 14, 2016, The CD does not seem to have the full reuiem. San Francisco, CA Our payment security system encrypts your information during transmission. This recording is too seldom any of those things for very long. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. Enjoy millions of the latest Android apps, games, music, movies, TV, books, magazines & more. Disabling it will result in some disabled or missing features. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. Chung adopts a hushed and reverential tone throughout the piece. Check out Duruflé: Requiem - In paradisum by Orchestra dell'Accademia Nazionale di Santa Cecilia & Myung-Whun Chung & Coro dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani & Daniele Rossi on Amazon Music. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. Both eschew the “Dies irae”; both include a “Pie Jesu” (for soloist), “Libera me,” and “In paradisum”; both use a baritone soloist for the “Offertory” and “Libera me.” Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. ) A few light surface marks, disc plays fine. I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. Eventually, per his self-criticism, he wrote three versions of the score, and for flexibility in the orchestral version, he … The Requiem was composed in 1947, and if I am not mistaken, the orchestral version is the original one. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. HIGHLY RECOMMENDED. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Our debut recording, In Paradisum, was released in 2012. In Paradisum. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. Reviewed in the United Kingdom on May 28, 2016. Try as I might, I cannot listen to it. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. Reviewed in the United States on January 12, 2020. Reviewed in the United States on January 9, 2009. Duruflé: Requiem ‎ (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version 2:15 PREVIEW Requiem: De Profundis. durufle_requiem_smc_2020-_walker_notes.pdf: File Size: 3351 kb: File Type: pdf: Download File. Good Durufle. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis, Reviewed in the United States on January 9, 2009. The Requiem, Op. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . I couldn't hear two-thirds of the damned thing. Good Durufle. Fauré / Duruflé: Requiem I really wanted to like this. DG's recording is one of the best digital CDs I've heard from them. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. --Thomas May 2009 Preview SONG TIME Requiem: Tu Es Petrus. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. I couldn't hear two-thirds of the damned thing. Jonathan Oldengarm (organ), Philippe Sly (baritone), Julie Boulianne (mezzo-soprano), Elinor Frey (cello) Choir of the Church of St. Andrew and St. Paul, Les Petits Chanteurs du Mont-Royal, Jean-Sébastien Vallée Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. Fauré*, Duruflé* - Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, The Ambrosian Singers, Philharmonia Orchestra, Andrew Davis - Requiem, Op. St. Mary's Cathedral Choir Program. 9 at Discogs. We work hard to protect your security and privacy. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. In Paradisum In 1947, Maurice Duruflé was already working on a suite of pieces for organ based on the Gregorian chants for the requiem mass (the service for the dead), when he was commissioned by his publisher Durand to write a large-scale work based on those texts. 9 ‎ (CD) Sony Classical SBK 67182 Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. I have 17 versions and this I rate at No, 5. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. Files "cleaned" originally Maurice Durufle Requiem . A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. In Paradisum 3:36: 8 Cantique de Jean Racine By Gabriel Fauré - Trinity College Choir, Cambridge, London Musici & Richard Marlow 4:57: Quatre Motets By Maurice Duruflé - Trinity College Choir, Cambridge, London Musici & Richard Marlow 8:25: 9 Ubi caritas 2:31: 10 ... (Fauré Requiem) and (P) 1990 Conifer Records Limited; Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. For those of you unfamiliar with this work, there are literally dozens of more attractive of. I find tedious I have 17 versions and this I rate at No, 5 2007. 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